The BBCs current programme release policy clause 4.5 will continue to apply and will be exercised in a fair and transparent way. The BBC has publishedhereits standard form of agreement to be used for commissioning individual independent producers in accordance with the Code of Practice and this Framework. The Code has been approved by Ofcom and is publishedhere. All production and exploitation of all programmes will comply with applicable BBC guidelines. In relation to the other packages as listed in the Code of Practice, the payment described shall be to replicate the number of transmissions stated in the package. the BBC has the sole and exclusive option to commission, use and/or exploit Additional Material subject only to the independent producer's rights under paragraph 4 below. Key agreements will be indicated in the Key approvals section (section 4) and prior approval of the terms of these agreements by the BBC will be required. Beyond first 4 years: the additional payment set out above to keep the BBCs use exclusive. The Producer will warrant that the relevant TTR legislation is complied with and any surplus will be deployed for the stated policy purpose. The Code states that the BBC will agree its Terms of Trade with PACT prior to publication. The two-part thriller will film this summer and is adapted for the screen by Sian Ejiwunmi-Le Berre and directed by Meenu Gaur. For the avoidance of doubt, the use or exploitation by the independent producer of clips comprising Additional Material is set out in paragraph 3.2 above. Tariffs can also serve as an opening point for negotiations between two countries. The supplier owns the rights. In return for the payment of a licence fee, the BBC shall be granted a licence of public service rights. 4 years unlimited use across public service platforms, 1% per year whilst still commissioning (retains BBC exclusivity), 1% per year for 3 more years (2% per year to keep the BBCs use exclusive). In accordance with paragraph 6 of the Code, the BBC has publishedherea list of indicative tariff ranges applicable for different genres of programming. It remains the responsibility of the independent production company to obtain independent legal advice with regard to all other aspects of the proposed third party agreements and their suitability with regard to the overall terms of the Programme production agreement and the independent production company's requirements generally. The producer shall be in control of licensing the rights in their content which are primarily and directly designed to generate secondary commercial revenues, subject to: a) a period of exclusivity in favour of the BBC which is sufficient for the BBC to deliver its audience promise; b) certain provisions to protect the value of the BBCs licence, reputation, and the investment it has made into the content and the contents brand; c) an appropriate share of revenue payable to the BBC: and. Factual is also divided into individual sub-genre teams, such as documentaries, history, arts, factual entertainment, etc. Whats being commissioned, for example: The BBC is influenced by industry norms and market drivers to get value for money and meet the BBCs technology and digital strategic objectives for the BBCs next generation of services. The Business framework set out below represents these Terms of trade, and has been agreed with PACT on 16 October 2013 and most recently updated on 5 May 2020. By 2027/28 the BBC will be spending. We have pledged to hardwire diversity into everything we do, both internally and in the way we work with programme makers. ; tools or services to create or offer audience-facing digital experiences. behind the scenes or social media content; for bbc.co.uk (Homepage, Sport, Childrens, Weather, etc. The producer will be kept updated on progress and any necessary variations will be openly identified and discussed. Under the deal, Japan says it will help to tackle excess steel. At the same time these guidelines set out principles for when suppliers can expect to retain and exploit their intellectual property rights in the digital experiences that the BBC commissions from them. BBC Factual has announced a 6x30 order of Nadiyas Simple Spices, produced by multi-award-winning Wall To Wall Media, coming to BBC Two and BBC iPlayer later this year. We drive increased portrayal and better value for money via co-commissions between Network and Nations teams. Read about our approach to external linking. BBC owns all or listed deliverables but not Supplier or 3. The BBC generates an idea or a Supplier proposes an experience relating to a BBC programme, brand, format or BBC acquired 3rd party rights, and the BBC commissions the Supplier to produce it. This means that where part of the budget expenditure for a programme qualifies for TTR and the producer applies for it, the funds released from HMRC as a result are expected to be used to support UK production budgets. Pitch helps us comply with our commitments, manage proposals in one place and track the progress of individual ideas. Any such variations to the standard Business framework will be negotiated case by case by the BBC and the independent producer in good faith and with regard to the Key Principles outlined in section 2 above. Please note that approval of a draft agreement by business affairs does not imply approval of any proposed credit (such approval is an editorial matter). Third party and producer investment into production and accounting of distribution revenues. simms headwaters pro waders; jordan cabernet sauvignon sweet or dry; ubs arena parking problems. Production companies can submit applications to the fund for their employees and freelancers working on C5 programming, at any stage during a contracted production. In addition to tendered opportunities, hundreds of additional hours of programming have been made available for producers to pitch for as part of the normal commissioning process. The digital services sector is a swift-moving dynamic global market with multiple diverse players. However, as reflected in the BBC Code of Practice, these standard arrangements do not preclude the BBC and an individual independent producer from concluding an agreement covering a different range of provisions from those outlined above, should they both wish to do so in order to deliver a specific and demonstrable strategic project(s). 1.1 The BBC is committed to operating a fair and transparent process regarding the manner in which it commissions content for its public services and in which it provides information to all its. Read about our approach to external linking. However, there are many other ways that you can work with the BBC and develop your career in the broadcasting industry. Pact and the BBC agree that the policy purpose of the UK Television Tax Relief (TTR) is to support the production of original UK content. This is commissioning that does not fall within the business framework for Television. See the Archives, rights and clearances pagefor more information about clearances. They need to demonstrate ambition and high production values to meet the expectation of audiences in slots such as 21.00 or 22.35 on BBC One Scotland. open source, integrate across services, etc. The BBC may commission certain projects which are intended to feature in the BBCs public service Knowledge and learning online product where a broader set of BBC Public Service Rights may need to be acquired, for example, in relation to the BBCs extract rights in such content. In accordance with the BBC's Library Sales Release Policy. BBC shall purchase the relevant package of uses as per the BBCs Business Framework for The Commissioning of Independent Productions, subject to good faith negotiations of the licence fee (and the payment of any reversion costs and further contributor use payments). Applications open for four aspiring film makers to produce and direct their first longform documentary for BBC Three and iPlayer. The BBC gets an exclusive licence, for a defined period of time. Channel 5 has announced that it is to reevaluate tariffs to tailor them to specific shows and is to invest in a dedicated training programme for its indie suppliers. Whilst the BBC has a subsisting re-commissioning right in the Programme: If the BBC wishes to exercise such option: Whether or not the BBC commissions or licences Additional Material as referred to in paragraph 3 above, the independent producer may, with prior notification to the BBC, exploit Additional Material in the following manner: as part of the exploitation of the DVD and Commercial Download Rights in the Programme in accordance with the General Terms; and, as part of any permitted Programme sale to the UK secondary television and video-on-demand market in accordance with the BBC's Programme Release Policy; and. The BBC commits to ensuring there is fair competition between new BBC Studios and third party producers. Supplier proposes an idea and the BBC commissions the Supplier to produce it. Here are the key dates in this year's commissioning timetable: TUESDAY 2nd NOVEMBER - MIDDAY: DEADLINE FOR SUBMISSIONS Friday 12th November: Notification of shortlisted ideas w/c Monday 22nd. The new series includes films about iconic figures ranging from Little Richard and Karl Lagerfeld to Kae Tempest and Coco Chanel, alongside the Oscar-nominated acquisition All The Beauty and The Bloodshed. The BBC shall be entitled to a period of exclusivity for the exercise of its rights before any commercial exploitation takes place, as follows: Day 1 following either (i) 1st exercise of the BBC Public Service Rights for programmes commissioned for BBC Three (or relevant episode, thereof), or 1st BBC TX or 7 days following first BBC Public Service use of the relevant episode for Programmes commissioned other than for BBC Three, or (ii) 6 months from acceptance of Full Delivery, whichever is the earlier. We commission Network TV programmes from UK-based production companies. The BBC will retain the intellectual property rights (IP) to each of the programmes and will set out by title what the location requirements are. funded with third party investment which is predicated in whole or part on exploiting UK commercial rights, then the UK windowing across the BBC and third party shall be agreed at the point of commission, alongside any impact on the BBC licence period (for the purposes of this paragraph, third party investment relates to production funding directly or indirectly from a licensee with a global SVOD reach including the UK); iii. Where the BBC proposes to pay the Licence Fee on delivery, the BBC will ensure that contract documentation has been established with a minimum of 2 reputable banks. We will continue to actively work with partners who share our commitment to nurturing new talent from the Nations and English regions, and invest strategically to strengthen skills development where we need to. The Supplier owns the rights in any new stand-alone experience. Our commissioning process framework (pdf) sets out our commitments and how we achieve them and our commissioning code of practice (pdf) ensures relations between the BBC and independent producers are fair and transparent. Suppliers that support our strategy and goals and reflect them in the ideas they pitch stand the greatest chance of being commissioned. As part of the BBC's focus on partnering with the nations this must be avoided. professional services such as technical consultancy. If the independent producer does not have the relevant technical expertise itself to produce the Additional Material and/or provide the necessary warranties, the parties shall identify in good faith a solution to enable the BBC to commission or license such Additional Material from the independent producer (which might include, for example, the independent producer sub-licencing or sub-contracting parts of the commission to third parties or to the BBC). a) In accounting to the BBC for its share of Net Revenue, the Producer shall ensure that the recoupment of any Agreed Recoupments shall occur in the order in which the revenue was received by the Producer (or its Distributor if the Distributor is reporting directly to the BBC) to ensure that the BBCs20%entitlement to Net Revenue(as referred to in paragraph 7 below)is applied to a fair and appropriate apportionment of the receipts, where the receipts relate to a combination of distribution rights attracting differing BBC back end shares as set out above. Five new roles in the Nations and English regions will further strengthen our commissioning footprint across the UK, and two new London based roles will broaden the pipeline from deaf, disabled and/or neurodivergent TV talent. Tariff: Licence fee to produce and deliver this content is up to 430k assuming 30 matches (10 per Nation) . making Programme clips available for streaming at no cost to the end user via a website carrying advertising: The independent producer may make Programme clips commercially available for these purposes subject only to (a) the Clip Restrictions outlined in paragraph 5.1 above, and, b) after the period of 6 months from the BBC's first transmission of the last episode of the Programme; and, c) payment of 25% of the Net Revenue deriving from such exploitation to the BBC. PACT model contracts are available on thePACT websitefor producers, directors, presenters, locations, stills, consultants etc and may generally be used without BBC prior approval unless they are a Key agreement (which is applicable if the agreement column for a Key approval is ticked on the Commissioning specification)or are being varied in a way which does not comply with the Programme production agreement. CTVC has won the competitive tender to produce Songs of Praise, BBC Ones flagship religious programme. All our suppliers are required to submit information about regional portrayal at the end of a production to show how they have met the Ofcom criteria. Both types of opportunity are advertised on this website. We actively encourage all productions to take part in the. Any variation to the provisions set out in the General or Special terms can only be made with BBC consent. Commissioning briefs, new opportunities and contacts, BBC and NBCUniversal co-commission hit format Destination X, BBC Factual announces Mumbai: City of Dreams, Once Upon A Time in Northern Ireland tells extraordinary human stories from those who lived through The Troubles, BBC Arts announces an exciting new raft of films for its flagship strand Arena on BBC Two and BBC iPlayer this spring, The BBC announces new drama Kidnapped (w/t), Wall To Wall whip up Nadiya's simple spices for BBC Two and BBC iPlayer, Stacey Dooley: Ready for War? We have also committed to ring-fence spend for diverse content. The standard licence term granted to the BBC is 5 years from acceptance of full delivery of the programme, subject to any standard post-licence provisions set out in the standard form of agreement referred to above (which at the date of signature of this Framework is General Term 26), and any agreed extensionsor reduction pursuant to paragraph 6(a)(iii) and (iv). Examples of current BBC strategic projects include the BBCs requirement for a broader set of public service rights in order to include a programme in the BBCs permanent collection; or to meet BBC Learnings strategic objectives online; or if a programme is commissioned for BBC Alba; or where the BBC agrees to assume specific commercial risks on behalf of the independent producer. However, given the variety of commissions, variable project objectives and market influences there will need to be some flexibility how the models operate. The US and Japan have agreed to remove Trump-era tariffs from around 1.25 million metric tonnes a year of Japanese steel imports. These shall provide all necessary evidence for the gross revenue (even if none received) and any deductions; detail the appropriate BBC net share for the exploitation; and give totals for each title reported. in the White Paper in spring 2016 or subsequently), the BBC would ensure that a minimum. fund the commission at a level above the primary rights licence fee; underwrite the risk of securing third party investment into a production; otherwise accept responsibility for a commercial risk on the project in a manner not applicable to the standard contractual position; provide access to business affairs/production expertise as a resource to the production. Produced by BBC Studios for BBC Three and iPlayer, the new factual drama is based on the true story of Chloe Ayling, a British model abducted in Italy in 2017. The Business framework sets out these Terms of trade and includes information about licence periods, exclusivity, distribution, funding and payments as well as additional materials. From January 2022 all new commissions will be required to achieve certification. That any such advice is privileged legal advice and the benefit of that privilege belongs to the BBC as the disclosing party. commissioning deals and rights packages are agreed within the terms of trade. C5 rethinks tariffs and adds training fund. The new disability commitments formalise and build on much of the work already happening within the BBC, and relate to producers of Network scripted and unscripted programmes. All boxes and sections of the document should be completed, however, it may be that some points cannot be agreed at the point of signature in which case "to be agreed" should be inserted and these details must be finalised with the BBC as soon as possible within the agreed licence fee. b) In reporting and accounting to the BBC its share of Net Revenue; Producers shall ensure that timely and clear statements are sent to the BBC every six (6) months by the Producer or its appointed Distributor. How we work, our strategic priorities and how to pitch ideas. Programme Clips for Permanent Download-to-Own e.g. We currently have partnerships with Northern Ireland Screen, Screen Scotland, Creative Wales, The National Film and Television School, TRC and ScreenSkills. The tender was launched in May 2022. Two years after setting out a transformational Across the UK blueprint, the BBC is ahead of target to meet and exceed the commitment to 60% of Network TV For example, the BBC needs the ability to use technology across platforms and to be able to reversion what the BBC commissions or parts of it for other projects/digital products and services. In line with Clause 10 of the BBC Code of Practice, this Framework will be reviewed on a three-yearly basis,or sooner if mutually agreed. We are currently inviting pitches for a new, high. The Commissioning specification includes: Download a sample Commissioning specification (Word). Deadline for applications: 24 Febuary, Nasfim has been Interim Channel Editor of BBC Three since February 2022. The BBC Education tariff for this series is 50,000- 91,000 per half hour episode. acknowledge receipt of new ideas submitted to BBC Pitch within one week. Where certain time periods are expressed in this Framework by reference to acceptance of full delivery, it is acknowledged that full delivery shall be deemed accepted after expiry of thirty (30) days from receipt by the BBC, unless notified otherwise (or accepted in writing) earlier. (a) New further programmes commissioning right exclusive to BBC in UK during the BBCs recommissioning option, BBC consent over foreign version into UK during BBC licence unless BBC recommissioning option has expired and another UK broadcaster has commissioned further programmes, 5. if a project is in paid development and the producer is waiting for a decision, producers will be kept updated on progress. The Commissioning Editor for the BBC is Gregor Sharp. BBC takes a 5 year exclusive licence in the UK and non-exclusive rest of world (to enable the BBC to publish without geo-locking but not with the intention of targeting non-UK audiences). Channel 4 is in the process of reviewing commissioning tariffs and said "for some years now we have been assessing each production budget on the basis of realistic costs rather than sticking . These opportunities will be open to any independent production company who meet the eligibility criteria, along with BBC Studios. Created by Tom Basden and Executive Produced for BBC Studios by Tom Jordan and Josh Cole. Consent will be granted in accordance with the published principles and guidelines that it adopts from time to time when considering requests for consent. Any commercial exploitation in the UK market during the BBC's exclusive licence will be discussed and explored at the commissioning stage. A small number of selected BBC Four long-form programme strands may also be made available over time. Some of these are set out in Ofcoms Operating Licence for the BBC (pdf) and the BBC Charter and Framework Agreement. Commissioners only meet with individual companies to discuss the programme ideas theyve received, not to brief on what they want. iv. outside the UK) in accordance with the General Terms. Our commissioners are organised into specific genre teams based on the type of programmes they commission - scripted: comedy and drama, and unscripted: daytime, entertainment and factual. Programme ideas for BBC television are submitted via the online proposal system BBC Pitch. Category Tariff (per hour) Specification: Comedy 1: Network 110k - 340k Nations & English Regions 50k - 150k: Editorially covers a broad range of comedy across all channels including shorts, "spoof" factual and entertainment programmes, monologues, panel shows and more familiar formats such as sketch shows and sitcoms that involve new talent and smaller scale production values. To be adopted to new commissions from 25 November 2021. Download a template Standard development agreement (pdf). make an initial decision to reject an idea or take discussions further within six weeks of submission to BBC Pitch. BBC One, BBC Wales and iPlayer announce bold new drama written by James Graham (Sherwood, Quiz), directed by Michael Sheen (Good Omens, Staged), and co-created by Sheen, Graham and Adam Curtis. We are committed to treating ideas fairly, transparently and on merit, regardless of which supplier submits them. Other parts of the BBC commission and procure content, goods and services using different processes. the independent producer should discuss its proposals and ideas to produce Additional Material with the BBC at the earliest opportunity and before investing its own resource in Additional Material propositions; it is in both parties' interests for the BBC to communicate its intention to commission and/or license the Additional Material as early as possible in the Programme commissioning/production process and the BBC encourages independent producers to include any proposals for Additional Material as part of the proposal for the overall Programme commission; should the BBC decide not to exercise its option under paragraph 3.2(b) above, the BBC will grant written consent under paragraph 3.2(a) above, provided that in the BBC's sole discretion, the BBC's public service offering in connection with the Programme and/or Additional Material is not thereby compromised, confused or undermined with regards to the audience. We have a number of ways we can support producers in the Nations and English regions including specific commissioning contacts in each region and financial investment. All ideas are handled according to industry best practice (pdf) and treated as confidential. Final decisions on what gets commissioned are made collaboratively between the genre teams, the channels and iPlayer. "Not applicable" should be added to such sections. Every idea has different considerations, but generally BBC television aims to work to the following timescales: *These timescales may need to be varied on individual ideas for project specific reasons (for example due to access or talent availability). the independent producer must secure the BBC's prior written consent in relation to any use or exploitation of the Additional Material in the UK other than as set out in paragraph 4 below; and. The Producer shall not knowingly do anything which might serve to undermine this principle and will ensure that its Distributor(s) also adhere to these principles. Picture Slam (8x45) is made by Triple Brew Media, part of All3Medias Objective Media Group and was commissioned by Kalpna Patel-Knight, Head of Entertainment at the BBC. All exploitation of Additional Material and Programme clips must comply with the BBC Guidelines, carry appropriate BBC branding and adhere to any relevant compliance requirements (programme compliance, legal and regulatory compliance etc) for so long as the BBC is commissioning the Programme and/or has a subsisting re-commissioning right in the Programme. If a producer has chosen not to useBBC Pitchto submit ideas this will be taken into consideration should a producer pursue a complaint against the BBC regarding the commissioning process. Other points may not be relevant to the particular production as the Commissioning specification is designed to accommodate a wide variety of genres and types of productions. Diversity and inclusion is a creative imperative for the BBC. The brand new series is produced by Red Sky Productions for BBC Two (20 x 30). In accordance with the principle established in the BBCsGeneral Terms for the Production of Television Programmes by Independent Producersintroduced pursuant to the Terms of trade agreed between PACT and the BBC on 30 July 2004, the licence granted to the BBC to exercise the SER Rights will continue to be subject to appropriate payment being made for such use. - ensure that the core public service propositions for the content are not undermined in the eyes of the licence fee payer and make it very clear to the audience what is provided by the licence fee funding, and what must be purchased or funded through commercial opportunities. The provisions regarding Additional Material are set out in the Schedule below. The BBC will agree either to cash-flow the agreed licence fee according to agreed stage payments, or it will pay the agreed licence fee upon delivery. Occasionally we may also issue an invitation to pitch for a specific programme or subject area, or hold a competitive tendering process where production companies can pitch to make an existing series on a work for hire basis. Prior to making any substantive changes to the standard form agreement to be used for commissioning individual independent producers, the BBC will consult with Pact and will give good faith consideration to any comments raised by Pact to any proposed changes. Currently Editor of BBCs The One Show, Rob will start his new role in the coming months and will report into Kate Phillips, the BBCs Director of Unscripted. It may be possible for the BBC to agree a reduced licence period. The BBC Writersroom annual Open Call script submission window is now open for drama and comedy drama scripts from members of the public. In all other instances the final decision will be no later than 20 weeks from receipt of the proposal. b) include or license the Programme (or part thereof) for inclusion in a video-on-demand service or near-video-on-demand service; Excluding BBC Three repeat packages set out under paragraph 6(a)(i), a 30 day period of on-demand use may be exercised with any BBC repeat broadcast, except for the Preview. Instead residuals should be captured via the online system, For BBC England, please email the form to the BBC programme delivery contact and additionally to the BBC business affairs contact and, BBC Studios productions capture residuals via the, The value of the programme to the schedule, The level of up-front third party investment, if any, that the programme could reasonably expect to attract in the marketplace, The price will include a production fee paid to the independent producer in line with the Terms of trade, The price will be inclusive of any development funding paid by the BBC on a programme. Five companies have been chosen to take part in a pilot phase of the scheme, aimed at growing network production capacity and helping locally-based indies to succeed. commissioning deals and rights packages are agreed within the terms of trade. Where staged payments are agreed, the stages will typically be as set out below. BBC has little or no input into its development. The BBC's Business framework for the commissioning of independent productions. for example, in relation to a 30 minute episode you could have 2 clips of 2 minutes in length and 1 of one minute; or 1 clip of 4 minutes); and, Subject to the 5 minute limit above, any individual comedy clip cannot exceed 2 minutes in length; and. If a producer is unhappy with how they or their idea has been treated they should raise this with the relevant genre in the first instance. Read the Business framework below or visit theA-Z pagetodownload previous versions of the Business framework and Terms of trade. Suffolk County Brady List,
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